What Media Companies Need From a Rights Management Software
With the myriad of ways films, shows, and general content can be sold around the world, staying on top of what you can sell and when and where money should be coming in and out requires a robust
🎬 FilmTrack Heads To the American Film Market Nov 2022
The American Film Market (AFM) returns to Santa Monica November 1–6 for its 43rd market. Touted as a place where you can meet more decision-makers in one week than you could see all year, AFM brings
The NAB Show New York, known as NAB East, is happening this month, Oct 17-20. It is expected to be well attended, with over 230+ exhibitors, a host of incredible sessions, and access to the Audio
The 38th International Co-Production & Entertainment Content Market is in Cannes in just a few weeks, Oct. 17-20. Self-professed as the "Mother of all Entertainment Content Markets," MIPCOM is well
#TIFF22 in Review: The Industry Continues to Shift
Art flourishes in times of stress, be it economic depressions, global conflict, or the recent pandemic. This was proven again in Toronto earlier this month when the 47th annual Toronto International
4 Entertainment Rights Metrics You Need To Be Tracking
The challenge for entertainment companies in managing rights is that new technology, multiple formats, and growing platforms have made things more complicated and multi-dimensional than ever. As a
Is It Possible To Easily Manage Your Digital Rights Contracts?
There are several rights management systems on the market. But who puts you in a position to deftly and expertly stay on top of all your contracts? To the point where you never miss a payment? Never
What You Need To Know About Upgrading Your Legacy Rights Management System
If you are using legacy software to manage your entertainment rights, you could be missing out on revenue optimization opportunities - finding and capitalizing on avails as soon as possible, OR
The Industry Is Evolving Historically, a basic ledger could handle a film’s revenue calculations by collecting data reported by theaters and managed by distributors. But things were simpler then. Most
Access Premier Rights Management at TIFF and IBC in September
Hot off the heels of Cannes, FilmTrack teams will be out in force at TIFF and IBC in September. Whether you represent a broadcast network overseeing thousands of titles, or an SMB company with a
